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2011

 
Workshop Presentation
The Rhythm of the Performance and the Actor’s Music
Led by Frans Winther
(Composer at Odin Teatret
Nordic Theatre Laboratory of Eugenio Barba)
1-3 July 2011

The workshop includes improvisations with voice training, song, speech and rhythm and  movements. Each day begins with vocal warm ups as a combination of voice training exercises and exercises aiming at gaining theatrical volume and power of expression. During this intensive workshop actors, dancers, musicians, directors, singers work together concretely using voice, song and improvisations. These materials are progressively worked into a montage that clearly demonstrates how the dramaturgy of sound can be unfolded.

Theatre as Music– Music  is a basic component in any kind of theatre. It may take the form of song and music or provide the rhythm that seeps into the dramatic structure of a performance. Frans Winther, the composer of the Odin Teatret has over a number of years developed a series of workshops, focusing on theatre as music. In the workshops actors, dancers, musicians, directors, students, drama teachers and singers work together concretely using voice, song, improvisations and montage.
Musical Dramaturgy – A performance is a symphony of words, images, movements, but also sound that provides the impetus to its artistic drive. The concept of musical tension is a complex phenomenon that is evident to the listener or the spectator yet hard to describe formally. The musical dramaturgy is a core point for the artistic result of any performance. It may be expressed through song, instrumental music, and the rhythm that underscores the dramatic structure of a performance.

The Workshop is structured as a Series of Sessions:

  • Improvisation: Joint improvisations.Individual improvisation.
  • Words and Music: Presentation of a poem as speech, talk song with underlying choral work or with a tune composed for the occasion. Group work with the individual poem, inserted into a musical context.
  • Musical Dramaturgy: Research of musical options in words and sentences. A presentation is elaborated using individual songs. Some songs are transformed, new voices, or an instrumental accompaniment are added. The presentation is rehearsed, with special focus on tension.

Frans Winther studied composition at the Nordjysk Musikkonservatorium. Since 1987 in collaboration with Odin Teatret in Holstebro, Denmark. He composed music to theatre performances by the Odin Teatret, directed by Eugenio Barba. (more)

 

Participation Guidelines

 

PARTICIPANTS:

Actors of physical, dramatic, dance and musical 
theatres, musicians, dancers, composers, choreographers and directors.

PARTICIPATION FEE:

160 euros. This fee covers attendance of the workshop. Accommodation costs are not included. ARTHOC Center can help finding accommodation.

SCOLARSHIPS:
  • For people that have already participated in ArtHoc Workshops the fee is 140 euro.
  • For groups of 2 persons the participation fee is also 140 euro.
  • Groups of at least 3 persons obtain a 25% reduced price of the participation fee = 120 euro

REGISTRATION:

To apply for participation, please send the following documents to workshops@arthoc.ro:

  • CV/résumé with dates (including date of birth) 
  • brief letter of motivation
  • head shot (JPG format)

Places are limited and a deposit of € 20 as advance for the participation fee is required to reserve a place. Registration is valid after this amount was being paid by bank transfer.

BANK ACCOUNT INFORMATION:

HOLDER: Asociaţia Art-Hoc
BANK:  BRD
Groupe Société Générale

IBAN: RO39BRDE050SV49520130500
SWIFT:  BRDEROBU

Bank Address: Piaţa Regele Ferdinand I, nr.4, Oradea, Bihor, Romania
Holder Address: Asociaţia Art-Hoc, Gheorghe Doja, 155, Oradea, Bihor, Romania
please add: registration fee for (name of participant), Frans WINTHER WORKSHOP

The participation fee should be paid in its entirety before the beginning of the workshop, at your arrival in Cluj-Napoca or by bank transfer.

APPLICATION DEADLINE:

Places are limited and applications will be considered in order of their arrival. The registration will be closed once the group is full.

WORKSHOP LANGUAGE:

The workshop will be held in English.

For further information and for submitting your application please contact us on:

workshops@arthoc.ro

 

 

 

PREZENTAREA ATELIERULUI

Ritmul spectacolului şi muzica actorului
Condus de Frans Winther
(Compozitor la Odin Teatret/ Nordic Theatre Laboratory al lui Eugenio Barba)
1-3 iulie 2011


Teatrul ca muzică : Pentru Frans Winther, colaborator apropiat al lui Eugenio Barba (fost discipol al lui Grotowski) teatrul înseamnă muzică, prin urmare dramaturgia muzicală este o parte esenţială a unui spectacol. Cu o durată de trei zile, atelierul condus de Frans Winther cuprinde improvizaţii şi exerciţii de voce, cântec, vorbire, ritm şi mişcare. Fiecare zi începe cu încălzire vocală, ca şi combinaţie între exerciţii de antrenare a vocii şi exerciţii care au ca scop intensificarea prezenţei scenice. Pe parcursul acestui atelier intensiv actorii, dansatorii, compozitorii, regizorii, cântăreţii, coregrafii, instrumentiştii  vor lucra împreună folosind în mod concret vocea, cuvântul, cântecul, corpul şi improvizaţia, în căutarea unor noi modalităţi de obţinere a tensiunii muzicale şi de fixare a dramaturgiei sunetului.  

Atelierul este structurat pe următoarele teme:

  • Improvizaţie: Improvizaţii în grup. Improvizaţii individuale.
  • Cuvintele şi muzica: Prezentarea unui text ca discurs sau ca text cântat, acompaniat de o lucrare corală sau de o melodie compusă special pentru această ocazie. Grupul lucrează cu textul individual punându-l într-un context muzical.
  • Dramaturgia muzicală: Căutarea posibilităţilor sonore din spatele cuvintelor şi frazelor cu un accent deosebit pe tensiunea muzicală.  

Frans Winther a urmat studii de componistică la Musikkonservatorium.
Din 1987 e colaborator al Odin Teatret in Holstebro, Danemarca. A compus muzică de scenă pentru spectacolele lui Eugenio Barba de la Odin Teatret.

 

DETALII ÎNSCRIERE:

PARTICIPANŢI:

Actori, muzicieni, dansatori, coregrafi, regizori.

TAXA DE PARTICIPARE:

160 euro. Această taxă acoperă doar participarea la atelier. Cazarea şi masa nu sunt incluse.

BURSE:

  • Pentru cei care au participat deja la Atelierele ArtHoc taxa este de 140 euro.
  • Pentru grupuri de 2 persoane taxa este de asemenea de 140 euro.
  • Grupurile de cel putin 3 persoane beneficiază de un preţ redus cu 25 %, respectiv 120 euro.

ÎNSCRIERE:

Pentru a vă înscrie vă rugăm să trimiteţi pe workshops@arthoc.ro următoarele documente :

  • CV
  • O scurtă scrisoare de motivaţie
  • Fotografie

Locurile sunt limitate şi un avans de 20 pentru a vă asigura rezervarea locului. Această sumă se achită prin transfer bancar  în următorul cont : Asociaţia Art-Hoc, str. Gheorghe Doja, 155, Oradea, cod fiscal nr: 24042194 cont nr. IBAN: RO39BRDE050SV49520130500, SWIFT:  BRDEROBU deschis la BRD Groupe Société Générale, Sucursala Piaţa Regele Ferdinand I, nr. 4, Oradea.   

Taxa de participare va fi achitată în întregime înainte de începerea atelierului.

TERMEN LIMITĂ PENTRU ÎNSCRIERI:

Locurile sunt limitate iar înscrierile vor fi luate în considerare în ordinea primirii acestora, încheindu-se în momentul în care grupul este complet.

Pentru informaţii suplimentare şi pentru înscrieri vă rugăm să ne contactaţi pe :

workshops@arthoc.ro

 

International Centre for Performing Arts – ARTHOC is a department of Art-Hoc Association together with ArtSpect Publishing House and  PASAJ Company.
The main mission of ARTHOC International Centre is to offer the artists the opportunity of enriching their professional arsenal with new methods of creation. The ARTHOC International Centre is a centre of interdisciplinary studies and practices, a laboratory of exploration of the creative process. For accomplishing this mission we organize our activities on the following principles:

1. stimulating the creative exchanges and exploring the boundaries between artistic fields by organizing workshops with internationally renowned artists.
2. developing international programs focused on multicultural dialogue and on the boundaries between traditional theatres of the world and the contemporary performing arts.
3. supporting artists (actors, directors, choreographers, stage designers, visual artists, composers etc.) by offering them a platform of dialogue and collaboration for creating interdisciplinary productions which investigate new ways of artistic expression.

 

 

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